Tag Archives: Royal College of Art

I’m in Love…with RCA

Post-grad here I come!  Never as much as I do now, have I wished I made another’s project-  Jealous of Royal College of Art Design Thesis Show in the Design Interactions section. The project is about creating products to help people experience something fantastic, like disappearance, lightning strike (pictured below), and invisible electromagnetic forces.

These projects deal with that which may seem extraordinary, unlikely, desirable (or not), confusing, or uncanny. I am interested in the fantastic experience, be it the conscious quest to achieve one’s personal (or indeed popular) fantasy, or the more sub-conscious seeding of a fantastic situation or construct through the actions of others. The fantastic has the power to engage the imagination, initiate dreams and trigger desires, excite, manipulate and confuse. The projects explore how one can, through the production of objects and services located in specific contexts, enable these fantasies.

The lightning strike device, more fantastic but less believable, converts the energy of a lightening strike into heat in the hand of the user, scarring them forever with a memory of the experience.

Heat Shrink Joinery

OH God, I love this.  It’s so good, so many possibilities with this application of material. Genius in it’s simplicity. One thing I love with heat-shrinking is how the material can read as a gesture: gorgeous.

Nicola Zocca’s brilliant heat-shrink joinery was a favorite from the Design Products section of the Royal College of Art final show, which opened last night in London (a must-see). The series is appropriately titled “Shrink.” The idea is wonderfully simple, and the execution precise and imaginative. Nicola describes it best: “So, just using hot air, it’s possible to build and fix chairs, bookshelves and tables.”Of course it’s not so simple: serious thought has gone into the forces at play in the furniture, with stainless steel surfaces bent to meet exactly milled notches in the wood, providing the necessary forces to stabilize the colorful joints.

A a few tests from Nicola’s process, on display at the RCA exhibit are just as genius.  I love his exploration with tape and the various orientations read just as beautiful.